Disrupting Book Censorship

How history, bias, and cultural literacy impact modern censorship.

Listen – Book Banning Basics

Course Overview 

This course is broken into three modules.

  • Module 1: Book Censorship and US Libraries: An Abridged History
  • Module 2: Book Bans and Bias
  • Module 3: Cultural Responsiveness in the Fight Against Bans
  • Mixtapes!
  • Recommended Resources and Further Reading

Listen to Stacy’s welcome above to get started.

Course Objectives

After working through this section’s resources, you will be able to…

  • Define key terms regarding censorship and book banning;
  • Explain the socio-cultural roles of reading, literacy, and access to information and how they relate to the history of book banning and challenging/censoring library collections;
  • Connect historical book challenge and ban trends to today’s coordinated censorship attacks and strategies to disrupt them;
  • Disrupt some of the implicit assumptions and prejudice at play in book censorship aimed at children’s and YA books and specifically marginalized narratives;
  • Create bespoke strategies to balance taking action against book censorship and mitigating risk and burnout as an information professional.

The Mixtapes 

Maybe you don’t have time for the whole course. Maybe you want to focus on discussions and resources that directly address your current needs. Maybe you just love a mixtape! The following “mixtapes” are curated lists of resources from all three of the course’s modules. Each of the “tracks” has a specific audience or takeaway in mind, and you’re encouraged to make your own mixtape from the resources that best fits your needs.

  • “Fight the Power” (Public Enemy): Historical context, thought leadership, and strategies for those on/supporting the front lines of anti-censorship in libraries and beyond
  • “I Want to Know” (Ray Charles): Deeper dives into the intersections of book censorship and libraries. Wish you had a course on this in your MLIS? This one’s for you!
  • “Why Should I Worry?” (Billy Joel): Considerations for academic library workers, proponents of academic freedom, and information professionals in other settings thinking about what current censorship trends mean for their work and what actions they can take

 

Anchor Activity: Reflection

Jot down your answers to the reflection questions below to consider as you move through this module’s resources.

  • When did you first learn that censorship exists? How old were you?
  • Who or what was the source of the information? Did you consider that source authoritative at the time? Why or why not?
  • What kind of censorship did you first learn about? Did censorship directly impact you or was it more of an abstract concept?
  • Did your first understanding of censorship include libraries in some way?

Discussion 1 – Unpacking Bans

This module is about bookbanning in the US, an abridged history thereof. This is the first discussion of three where we’re talking about unpacking ban, and making sure that we’re all on the same page.

Quote to Consider: Pat Scales in her 2007 book Scales on Censorship wrote “Censorship is about control. Intellectual freedom is about respect.”

Discussion 2 – Historical Connection Between US Book Bans and US Libraries

We are looking at the historical connection between US book bans and US libraries. My discussion here will be shorter and briefer than the first one, so never fear. But I do want to make sure to hit a few valuable insights from some of the resources listed above so that you can think of this as a grounding umbrella context before you start diving into the more specific content and resources.

Quote to Consider: In a recent interview, Dr. Emily Knox says, “I absolutely believe this: The people who try to ban books truly believe that books are powerful, that reading is a powerful practice, that reading can change who you are.”

Discussion 3 – Where We Are Now or The Presumption of Progress

Hello, and welcome to our third discussion in module one. We’re talking about where we are now or what I like to call the presumption of progress. If you’re still with me after listening to those first two discussions, thank you. An applause. I hope you’ve taken a break. Maybe you got some water, right? This one’s going to be actually quite short. I really want to hammer home this idea of the presumption of progress because it is not good. It does not work in our favor, and it can trip up some folks who want to use it as a reason to not be as well-equipped both in policy, in process, in sort of personal conviction, ethics, etc.

Quote to Consider: “Myth: bigotry-fueled censorship declines with time; Reality: bigotry-fueled censorship adapts to prevailing norms and power structures.”

Resources to Explore: News, Reports and Discussions

Resources to Explore: Publications

Anchor Activity: Reflection

Consider the questions below and jot down your thoughts as you explore this module’s resources. 

  • How is book censorship related to bias –how do the two fuel each other?
  • How does a library’s bias favor those already empowered within a community?
  • How does removing access to marginalized voices and narratives affect young readers’ bias and empathy?

Discussion – Ban the Book, Protect the Child

Most of the resources linked here take a deeper look at bias than is typical in the LIS world. We’re not just talking about unconscious bias, although that is part of it. In this discussion, we’re looking at book bans and their relationship to protecting children and the ways that bias comes into play there.

Quote to Consider: During a moderated discussion at MIT Libraries, Dr. Tressie McMillan Cottom says, “It’s not about burning the books; it’s about labeling the ideas. There’s a short and direct line between labeling ideas as profane and dehumanizing people.”

Resources: Publications

Anchor Activity: Reflection & Curation

Build a bespoke toolkit! Consider your immediate and long-term needs in this ongoing disruption and advocacy work. Stock your toolkit appropriately.

Discussion – Objectives and Resource Overview

if you made it through listening to me this far, thank you. Thank you for sticking with me. Congratulations, and again, I hope you’ve taken breaks and gotten some water, some stretch breaks, et cetera. This discussion is really just to lay out this module’s purpose basically, mostly to manage expectations. I don’t want folks to worry if there’s resources that you were expecting to be here but that don’t show up. If you are in this section to learn or in this module to sort of learn about diversity work in library science, and what cultural literacy and responsiveness is, what it can look like, that’s not really what we’re focusing on here year.

Responsive Collections Resources

Learning Resources

Not sure what Cultural Responsiveness is or how it works in libraries? Check out some of the resources below:

Further Resources

Recommended Texts & Resources 

What is a Mixtape?

For anyone who didn’t record their own tapes or burn their own CDs, mixtapes are the analog predecessors of digital playlists. And much like a music mixtape is a curated selection of songs, the mixtapes you’ll find here are selections of resources from each of this course’s modules, curated to address different situations. Feel free to cherry-pick resources that meet your specific needs and build your own mixtape.

The three mixtapes are:

  • Fight the Power for historical context, thought leadership, and strategies for those on/supporting the front lines of anti-censorship in libraries and beyond.
  • I Want to Know for deeper dives into the intersections of book censorship and libraries. Find yourself wishing there is (or had been) a class on all this in your MLIS program? This one’s for you!
  • Why Should I Worry for academic library workers, proponents of academic freedom, and information professionals in other settings thinking about what current censorship trends mean for their work and what actions they can take.

Fight the Power (Public Enemy)

Fight the Power (Public Enemy)

A mixtape for historical context, thought leadership, and strategies for those on/supporting the front lines of anti-censorship in libraries and beyond.

I Want to Know (Ray Charles)

I Want to Know (Ray Charles

A mixtape for deeper dives into the intersections of book censorship and libraries. Find yourself wishing there is (or had been) a class on all this in your MLIS program? This one’s for you!

Why Should I Worry (BIlly Joel)

Why Should I Worry (Billy Joel

A mixtape for academic library workers, proponents of academic freedom, and information professionals in other settings thinking about what current censorship trends mean for their work and what actions they can take. The academic library is no Themyscira, and academic freedom is no magical barrier. Get ready and stay ready!

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